Ads Don't Have to be Boring

I've written about Su Blackwell's work before, and it continues to amaze. Below is a 45-second t.v. advertisement for Beringer wines from 2007 that I learned about on All Things Paper (thanks, to Ann Martin).

Blackwell, a UK-based artist, combines arts (pop-ups) and paper-cutting in remarkable ways. Worth seeing is the "making-of video" for the Beringer ad (also below), which features Blackwell.

And just for fun, in case you missed it the first time 'round, is a charming video from singer-songwriter Lisa Hannigan's CD, Sea Sew, which I wrote about here.







Here's Lisa's official You Tube Channel.

Stop-motion video seems to be encouraging advertisers to do more with paper arts (hurray!). Have you seen any examples recently that we may have missed?

Bibliokinetics

I've been thinking about pop-up books lately. In a couple of weeks I'll be heading to Arrowmont for a class with book artist Carol Barton, who's known for her skill in paper engineering. And yesterday I stopped in at BookWorks and found a pop-up book class in full session. Led by the very talented designer and book artist Shawn Sheehy, adjunct faculty of book arts at Columbia College in Chicago (the wonderful Audrey Niffeneger is also on the faculty there), the class was creating magical structures that made me wish I had signed up for Shawn's class AND Carol Barton's. (That's one of Shawn's pieces above, part of a book of fabulous creature constructions he has on exhibit at BookWorks this week.)

Su Blackwell is a UK-based artist whose work with books is part pop-up book, part papercutting and part fairy tale. Her three-dimensional "book-cut sculptures" are delicate and mysterious, and some are darker upon reflection than they appear at first glance. From her web site:

The Quiet American, 2006

"In a way, Su Blackwell's book-cut sculptures are very similar to receiving a marked-up copy of a book from a friend. Their particular interpretation of the text is privileged for your consideration and you can re-evaluate your response to the work through the lens of their relationship. It's like turning books into memories.

" her reconstruction offers up to the viewer many questions. We can no longer physically read the book, so in that way it is made redundant; and yet on another level it has taken on a new life and is telling a different story. Her work gives a new dimension to the rich European tradition of storytelling..."

And Blackwell says:

"The wear on my books, as physical objects, holds their history and makes my relationship with their contents immediate and visceral. The books I carry when I travel get stained and frayed, and the damage tells a story. I love second-hand books that have been marked up with pencil because I can see what was important to the person who read it before me."

Birds, Beast and Fishes, 2007